Patrick Clark writes a terse statement several times in which he advises people to fiddle on the flat hair of the bow. Frankie Gavin is asked a question in his workshop video on You Tube about fiddling on the side of the bow hair, and he says he doesn’t know about that. Or words to that effect.
In other (violin) texts writers instruct the reader to ensure they play “this” exercise with the side of the bow.
What is it about, bowing on the flat or on the side? Both ways get a full tone, to my ears, each a bit different, but still pleasant.
Do you strategically use the flat hair and side of hair for specific outcomes in your fiddling?
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This topic was modified 8 years, 11 months ago by graeme.